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Laxaþjóð | A Salmon Nation

Notre relation avec la nature ne définit pas seulement notre histoire, elle façonne aussi notre avenir. Pourtant, sous la surface des fjords islandais, une méthode industrielle d'élevage de poissons menace de détruire l'une des dernières régions sauvages d'Europe. Laxaþjóð | A Salmon Nation raconte l'histoire d'un pays entre terre et mer et le pouvoir d'une communauté pour protéger les lieux et les animaux sauvages qui ont contribué à forger son identité.

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Nous nous efforçons de traiter et d'expédier les commandes sous 1 à 2 jours ouvrés (du lundi au vendredi, hors jours fériés). Nous vous prions de choisir si possible la livraison standard pour réduire notre impact sur l'environnement. Si vous avez des questions sur votre commande, vous pouvez contacter notre Service client pour plus d'informations.

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A Pilot’s Photos and Stories from Alaska’s Lost Coast

Kelly Cordes  /  janvier 19, 2012  /  3 min de lecture  /  Communauté

Wolf, bear, human – in August 2010 Cameron Lawson and Brett DeWoody took a wild, 350-mile bicycle and packraft journey from Yukutat to Cordova, along Alaska’s “Lost Coast,” following bear and wolf tracks, navigating heinous brush and swollen river deltas, engaging in true wilderness under their own power. Lawson, a photographer and a pilot, had flown a small Cessna over the Lost Coast the year before, but covering the same terrain by bike and packraft proved a wholly different experience – of course – and Lawson’s images and words give us a fantastic insight into a real-deal adventure. Check out his slideshow in the Patagonia video gallery – here’s the direct link (sorry, techy stuff won’t let me embed it).

Lawson show screenshot1

It’s a video world, and Lawson’s is a still-photos-with-written-captions story, but that doesn’t matter to me: I love good storytelling. I don’t care so much about the medium, though the differences intrigue me.

Audio, video, stills, words. All can tell great stories. The ability to communicate an original experience, to let me see it through your eyes, transports me in a way that pure porn doesn’t – I think that climbing videos, for example, have a long ways to go in this department. Affordable camera technology allows for fantastic imagery, and the home-editing tools can make for some cool clips. But without a story, it feels empty – porn. At least to me; others enjoy the visuals more. Fair enough, and to each their own. And props to those who try either way, who are willing to create something and throw themselves out there. Not to discount, however, thoughtful criticism as a meaningful addition to any conversation; accepting criticism seems crucial to growth. Regardless of where a person stands, if they can articulate the what and the why of their views, it’s usually valuable. We’re not all going to like everything, and indeed we should not. To simply lob rotten tomatoes from the cheap seats, on the other hand, requires nothing special; no courage, no creativity, no intellect.

Combine great imagery with great story, and you create incredible art. Here’s a short piece that’s has received a ton of accolades, and is one of my favorites – mind-blowing imagery with sparse, beautiful narration from Irish surf photographer Mickey Smith.

DARK SIDE OF THE LENS from Astray Films on Vimeo.

I’m a huge fan of podcasts, too – audio storytelling as well as entertaining b.s. on topics of interest to me – while driving or out on a walk (What, you go for walks? I know, I’ve gotten soft, big news flash…), I probably listen to audio stories at least as often as I listen to music, which I also love. Speaking of which, how cool to get an icon like Yvon to do a short audio story – maybe we could get him to do a weekly show, call it the…the…Yvoniconcast? Er, on second though, maybe not. We already posted Yvon’s piece on Monday, but here’s the direct link if you missed it (it lives in our podcast library).

Anyway, enjoy Cameron’s show, the Dark Side of the Lens, the Master’s Apprentice and whatever else inspires you – and thanks to the artists who produce such work. Long live good storytelling.

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