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Into the Whiteout: Climbing with Simon Richardson in Scotland

Kelly Cordes  /  April 17, 2018  /  7 Min Read  /  Climbing

Simon navigating toward the block of rock atop the Cairn Gorm plateau. Photo: Kelly Cordes

It had been a while. I don’t climb in weather like this. I stay inside and drink coffee. But I dutifully marched through the whiteout, following Simon as he navigated by compass toward the highland plateau of Cairn Gorm. He was searching for a particular block of rock, from which we would rappel into nowhere and then climb out.

The last time I started climbing in a whiteout, versus being caught in one—there’s a big difference—was thirteen years ago, here in Scotland. It was the 2005 BMC (British Mountaineering Council) Winter Climbing Meet, where they pair visiting climbers with local hosts. Steve House and I came from the U.S., and on the first day our host was my friend Ian Parnell. After an hour of hiking through gale-force wind that blew the snow sideways, we caught a quick glimpse of a cliff plastered in white. “It looks to be in good nick!” Ian shouted to me from three feet away.

Of course I’d heard of Scotland’s legendary mixed climbing history, and seen pictures of cliffs speckled in what looked like snow, which I figured had to be ice, or something with at least a degree of cohesion.

“Oh, cool,” I yelled back. “So that white stuff is good névé, huh?”

“No! It’s complete piss. You scrape it away and climb the rock beneath,” Ian said, before putting his head down and continuing toward the base.

Welcome to Scotland.

Simon Richardson atop the plateau of Sgorr Ruadh, Scotland. Photo: Kelly Cordes

Simon Richardson atop the plateau of Sgorr Ruadh, Scotland. Photo: Kelly Cordes

At that 2005 meet, I also met Simon Richardson. He’s a Scottish mixed master who has made some 700 first ascents of winter routes in the country. On the day I was paired with him, before we headed out he had asked, somewhat apologetically, if I’d be interested in scoping a potential new route on Ben Nevis. He was concerned because the route was no guarantee, as it might not be in nick—he’d been watching this line for the past eight years, to no avail. Thing is, if it’s not plastered in enough white stuff then the route is not in proper winter condition (yes, I know). Therefore, you can’t climb it (if not by official decree, then by common climbing law of the land). But that day, he thought, could be the day. Eight years and finally enough white to scrape away for a potential new route on Ben Freakin Nevis? No apology needed. “Yes,” I said, “let’s have a look.”

While I don’t recall either of us placing any ice screws on our new route on Ben Freakin Nevis, I remember torquing my picks into cracks, hooking them over edges, squinting through my hood as spindrift blasted down the overhanging chimney and bridging up wild features in swirling wind. And also, after one of the pitches, Simon reaching the belay and telling me, “You need to hammer in your pieces. Every one of them lifted out; you’d have fallen the entire length of the pitch.”

. . . . . . . . . . . . . . . . .

In truth, the white has some cohesion. Rarely enough to place ice screws—the handful of ice gullies are homes for those—and usually not enough to support full body weight. But it adds a modicum of support, unlike the dry powder back home in Colorado. It usually freezes the loose blocks together, too, but you have to be meticulous with cam placements, as they can slide on the rime. Hexes and nuts rule for protection. Especially if you hammer them in. Most importantly, the ferocious wind, wet snow and frequent freeze-thaw cycles make for bomber turf sticks. And from the turf oozes mud and moisture, which then congeal with the wet snow and freezing rain. Voilà: It’s miserable magic.

In Scotland you have to climb in bad weather, or else you wouldn’t climb at all.

Which reminded me of the previous day of this 2018 trip (which began innocently enough, with a delightful weekend at the Edinburgh Mountain Film Festival). Simon, his friend and frequent climbing partner Roger Webb, and I started in a predawn drizzle and hiked through steady gusts for three hours in (two out), to climb for seven on the north face of a feature named Raeburn’s Buttress, on Sgorr Ruadh. We climbed in conditions so heinous that, had there been fixed anchors and had I been with a clone of myself, we’d have bailed. But Simon wanted to do a new line, as is his wont. He’s 57, has raised a family, is a recently retired engineer and is obsessed with new routes (which is how you get to 700 and counting). The adventure of the unknown combined with the lure of familiar, beloved landscapes prove impossible for him to resist. Just after starting the first pitch he looked up, paused, then found a stance and asked us to pass him the guidebook, so he could study the existing lines. Guidebook? “No wonder the pack is so heavy,” Roger mumbled, as he dug in and pulled out a brick of bound pages. Simon had slipped in the book, as Sgorr Ruadh is one of the few areas he doesn’t thoroughly know.

Simon. Photo: Cordes collection

Simon. Photo: Cordes collection

I glanced at Roger to check his reaction. Nothing. Perfectly normal. Snow swirled in the sky and I thought back to the drive up, when I dozed in the backseat while Simon and Roger argued in the dark, engineer against lawyer, about what comprised a new route versus a variation. In my slumber I forgot who argued what or who won (neither, I suspect), but I remember talk about a summer rock route that sometimes doubles as a winter mixed climb. “That’s one of the few routes I’ve done in summer as well as winter,” Roger said, “and in winter it’s far easier because the green slime is frozen.”

. . . . . . . . . . . . . . . . .

“Yeah, we’re here,” Simon suddenly said on the highland plateau of Cairn Gorm. I couldn’t see a thing, aside from a block of rock sticking out of the snow.

“Be careful not to walk over the cliff edge as the plateau is very featureless at this point,” Simon writes in the directions to this crag in Chasing the Ephemeral, which won the award for best guidebook at the last Banff Mountain Festival. His book follows an ingenious structure, coaching the reader through fifty featured routes to impart an understanding of Scotland’s nuance and magic, thereby helping enable success. “I’m not a very good climber, but I know the mountains and understand them,” Simon told me. And I know this: The farther you stray from bouldering comps, the less being a good climber has to do with solely pulling hard moves.

Years ago, while walking on the opposite side of the valley, Simon discovered this Cairn Gorm crag, Creagan Cha-no.

The clouds had momentarily parted and, surprised, he saw a cliff. It had no prior history of climbing, perhaps because nobody had seen it. Yet if you know how to navigate (or are with someone who does), and don’t walk over the cliff edge, it’s a mere hour-and-a-half hike from the car. Which was lovely, since my feet still hurt from yesterday.

We dug through the snow and uncovered an anchor cord slung around the block. “Hey, Simon,” I said. “How many areas like this do you think are still undiscovered because nobody has been around to see them when the clouds lifted?”

He grinned and replied, “That’s a very good question.” Then he threaded his belay device and disappeared into the fog.

At the bottom of the basin we pulled our ropes and crossed a snow slope one at a time, to the base of a classic route—it had relatively easy climbing, much like the day before, except nothing about Scottish winter climbing is truly easy. The cliffs aren’t very tall, but each outing is like a miniature alpine route, scrappy and character-building, and maybe that’s why I haven’t said much about the actual climbing, because it really isn’t about pulling ultra-good moves. Not in the way that a gymnastic sequence on pocketed limestone is good, or the killer blue tape route at the gym is good. But as we climbed toward the still-raging plateau, at one point I pulled my face into the wall and noticed how the rime-encrusted corners were comprised of millions of crystals of ice, intricate and beautiful, like miniature planets in a vast universe. I giggled to myself at both the absurdity and the joy, before a blast of spindrift made me shiver again.

Kelly Cordes scraping away the white on Jenga Buttress, Creagan Cha-no, Cairn Gorm. Photo: Simon Richardson

Kelly Cordes scraping away the white on Jenga Buttress, Creagan Cha-no, Cairn Gorm. Photo: Simon Richardson

. . . . . . . . . . . . . . . . .

The next day I was finally warm. I sat on the tarmac, inside an airplane. The snow fell in wet, heavy sheets. Then came rain, mixed with sleet, delaying departure until the de-icer machines could set me free. I looked out the window, then sat back and closed my eyes. I recalled the far-north sunbeams shooting light across the moor, the view to the inlets of the sea during moments of cloud break and the soothing absence of noise. I also remembered the smile on Simon’s face, glowing from beneath his hood.

The motors whirred and clicked and groaned, readying to whisk me away to sunny Spain to clip bolts on perfect limestone in weather that would be assuredly good—what the hell, I’d figured, since I was already across the pond I’d better hop over to Siurana. But it’s important to get the order right.

Not because Scotland’s weather is bad, though—after all, how bad could anything be that freezes the green slime?

This story first appeared at

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