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Laxaþjóð | A Salmon Nation

Unsere Beziehung zur Natur definiert nicht nur unsere Geschichte, sondern prägt auch unsere Zukunft. Doch unter der Oberfläche der Fjorde Islands droht eine Methode der industriellen Fischzucht einen der letzten verbliebenen Orte der Wildnis in Europa zu zerstören. „Laxaþjóð | A Salmon Nation“ erzählt die Geschichte von Island, das durch sein Land und seine Gewässer vereint ist. Und von dem Einfluss einer Community, die diesen besonderen Ort und seine wilden Tiere schützen möchte, die entscheidend zu seiner Identität beigetragen haben.

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How Kelly Cordes’s Mullet Ended Up in The New York F*%king Times

Kelly Cordes  /  30.03.2012  /  5 Min. Lesezeit  /  Gemeinschaft

The boat times, with CF Scariot (left), Kelly Cordes (reading) and Andrew Gram (drinking). Photo: Dan Gambino

Silence. So rare, so nice. Four recent days of disconnected bliss – from the e-world, that is. But fully connected in more natural ways, like with climbing, food, friends, a river and beer. My only reading was on paper, not on a screen. It was nice, anyway, until a leisurely check of my phone messages upon our return snapped me back into the modern world. It was my sister: “You are SUCH a loser. Do you have any idea that you and that stupid mullet of yours is in the New York F*%king Times?”

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Whatever. I was still in namaste land, so I texted her that I’d have my agent return her call. Wait, what? Well I’ll be damned. Climbing all up in the Times. The Sunday Magazine had a photo essay on the Ouray Ice Festival, where I was working hard. Strange world these days. Especially how this increase in virtual connectedness can sometimes leave us feeling disconnected.

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Screen grab from the online version of a recent New York Times Sunday Magazine.
Anyway, I guess climbing is getting big. Ouray in the TimesAlex Honnold in People magazineConrad Anker on NPR. Which might also mean that a couple of Sundays ago 1.6 million people were like, “Who’s the old guy with the graying mullet and racing stripes in the hot tub with them kids?”I shouldn’t complain. It’s better than the pic on my Ambassador page. I barely remember that photo – Tim, one of Patagonia’s photographers, grabbed me as I stumbled toward the coffee maker after margarita night at our last off-site design meeting, and next thing I know I’m stuck looking like Cletus Spuckler. Couldn’t they have had the decency to airbrush-out the molestache? Well, at least they used the best of the crop. Some of the outtakes made me look pretty ragged.
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Making Patagonia proud and the outtake from a rough morning. Photos: Tim Davis
When I think about these things my only concern, as a washed-up climber, is how such media might influence others. I mean, what about the kids?Like, say, young Hayden Kennedy. My god, what a crusher. Kids these days. Talked with him last week and he mentioned how he’d finished a rigging job and then headed to the desert, where he, like me, had a blast. Only, instead of coming out to tell stupid stories of creeping people out in a hot tub, he sent a longstanding project that’s probably the hardest route in Indian Creek. Since he doesn’t have Facebook or a blog (he had them, but got sick of it and canceled both; how many 22-year-olds do that these days?), you can read about it here (which includes a great video from Sender Films of Nick Martino working the line) – when you climb like that, word gets out.

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Hayden Kennedy acclimatizing on Naisa Brakk, Pakistan. Photo: Kelly Cordes

Speaking of Hayden, and speaking of modern media, anybody catch the recent two episodes of the Enormocast that he was on? It’s our friend Chris Kalous’s dirtbag-level podcast – he’s had a half-dozen or so episodes, and you can subscribe on iTunes. He often records out of his sketchy 1970 RV, and it’s a down-home, usually R-rated, authentic climbing life podcast. An old school podcast (is that a contradiction?). Just him and a guest b.s.ing – but he gets interesting guests, so they’re good b.s. sessions. I love podcasts, though I can never just sit and listen at my desk. Unlike my time on the desert-river trip, I get too distracted. But while I’m driving or on a walk, I eat ‘em up. Between the Enormocast, the Dirtbag Diaries and This American Life, you’re all set.


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Chris Kalous peering out from the mobile world headquarters of the Enormocast. Photo: Kelly Cordes

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The Enormocast mastermind, Chris Kalous. Photo: Kelly Cordes

And the episodes with Hayden discussing his Cerro Torre climb and subsequent controversial bolt removal are tip-top. Load ‘em on your iWhatever and save them for your next commute. Great words from the man himself, mature beyond his years, and with legit commentary and sharp wit from Kalous. In the first episode, Hayden talks about the climb, and his description of how it feels while doing a dream climb is the best I’ve ever heard. He articulates that feeling brilliantly, along with the bolt cleaning, and the tragedy and ugliness afterward. The second episode dives into the controversy, and Hayden speaks with far greater depth and knowledge than much of the commentary that dominated the immediate aftermath, most of it lobbed from those sitting in the cheap seats. Here we get the story from someone who wasn’t.

Not to imply that hanging in a hot tub was a cheap seat, of course. Which makes me think, why the hell wasn’t Hayden in the Times instead? Oh, that’s right. Because he was in the mountains, actually getting shit done while I was just talking about it. Damn, I hate it when that happens. But I love that I can listen, watch or read about it later.

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CF Scariot just below a tower top in the western Colorado desert. Photo: Kelly Cordes

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